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After Irenee Rochard (French 1906-84): An Art Deco Style Bronze Goup
After Irenee Rochard (French 1906-84): An Art Deco Style Bronze Goup, modelled as two greyhounds, unmarked, on a stepped black marble base, 76cm wide, 43cm high Condition Report: Categories: Metalware, Miscellaneous and Pictures, Lot Description:, After Irenee Rochard (French 1906-84): An Art Deco Style Bronze Goup, Condition Report:, Condition Report:, Categories:, Metalware, Miscellaneous and Pictures閱讀更多
- 21h
- 預估最低價
- 顯示出價 3 100 HKD
KAWS X Peanuts Joe KAWS, 2011 Painted cast vinyl 8-1/4 x 5 x 3-1/2
, 2011Painted cast vinyl8-1/4 x 5 x 3-1/2 inches (21 x 12.7 x 8.9 cm) (toy)10-1/4 x 7-5/8 x 6-1/8 inches (26 x 19.4 x 15.6 cm) (box)Stamped on the underside of the feet and Produced by Medicom Toy and OriginalFake, TokyoComes in white molded plastic, in white box with black lettering. HID07601242017閱讀更多
- 19d 14h
- 預估最低價
- 顯示出價 6 300 HKD
Jeff Wolf, Entitled "Scent of A Woman, Limited Edition, Cast To Order
Western Bronze Sculpture, by Renowned Western Artist Jeff Wolf, Entitled "Scent of A Woman", Cast to Order, Limited Edition, 1 of 20. #1007 Description: “Working as a ranch manager of a 560,000 acre ranch in NW Colorado, I had the opportunity to see thousands of elk. Their bugling during the rut would keep me awake at night. “The Scent of a Woman” depicts a scene I witnessed while gathering cattle. I watched this Bull Elk sniffing the wind in search of a harem. Here as well in most of my works I used negative to compliment mirroring images. The negative space between the neck antlers and tree stump create a beautiful reflective mirror image, same with the space under the belly. (Note: 8 to 10 weeks delivery) Dimensions: 20.11"L x 10" H x 8" W, approximately 12 pounds Condition: Cast to Order Limited Edition , 1 of 20 pieces, On all precast orders we ask for a deposit of 75%, this covers the molds and first casting. Precast orders are purchased before the sculpture has been molded and cast in bronze. This feature allows the client to get in on the ground floor of early edition numbers while saving a considerable amount over retail. Once the work is cast in bronze and is on the retail market the price does not decrease. On orders that need to be cast we require a 50% deposit with the remainder due upon completion of the piece. Shipping and insurance are the reprehensibility of the purchaser. Delivery is usually 8-10 weeks from time of order. Provenance: Jeff Wolf. Biography of Jeff Wolf and Achievements Follow: Persistence makes perfect: The trail to the top of the Western Art world is steep and narrow. It is littered with obstacles, beset with sheer drop-offs, and hindered by unexpected twists and turns. Sculptor Jeff Wolf has ridden that trail for more than twenty-five years and reached heights few artists attain. Along the way he has placed bronzes in prominent museums and permanent exhibits, in prestigious private collections, and on display in public venues. He has been bestowed with honors and awards, recognized in juried competitions, and called upon to teach and demonstrate. Western Bronze Sculpture, by Renowned Western Artist Jeff Wolf, Entitled "Scent of A Woman", Cast to Order, Limited Edition, 1 of 20. #1007 Description: “Working as a ranch manager of a 560,000 acre ranch in NW Colorado, I had the opportunity to see thousands of elk. Their bugling during the rut would keep me awake at night. “The Scent of a Woman” depicts a scene I witnessed while gathering cattle. I watched this Bull Elk sniffing the wind in search of a harem. Here as well in most of my works I used negative to compliment mirroring images. The negative space between the neck antlers and tree stump create a beautiful reflective mirror image, same with the space under the belly. (Note: 8 to 10 weeks delivery) Dimensions: 20.11"L x 10" H x 8" W, approximately 12 pounds Condition: Cast to Order Limited Edition , 1 of 20 pieces, On all precast orders we ask for a deposit of 75%, this covers the molds and first casting. Precast orders are purchased before the sculpture has been molded and cast in bronze. This feature allows the client to get in on the ground floor of early edition numbers while saving a considerable amount over retail. Once the work is cast in bronze and is on the retail market the price does not decrease. On orders that need to be cast we require a 50% deposit with the remainder due upon completion of the piece. Shipping and insurance are the reprehensibility of the purchaser. Delivery is usually 8-10 weeks from time of order. Provenance: Jeff Wolf. Biography of Jeff Wolf and Achievements Follow: Persistence makes perfect: The trail to the top of the Western Art world is steep and narrow. It is littered with obstacles, beset with sheer drop-offs, and hindered by unexpected twists and turns. Sculptor Jeff Wolf has ridden that trail for more than twenty-five years and reached heights few artists attain. Along the way he has placed bronzes in prominent museums and permanent exhibits, in prestigious private collections, and on display in public venues. He has been bestowed with honors and awards, recognized in juried competitions, and called upon to teach and demonstrate閱讀更多
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KAWS X Kubrick Bus Stop, Series 5, 2002 Painted cast resin 2-3/4 x
, 2002Painted cast resin2-3/4 x 1-3/8 x 3/4 inches (7 x 3.5 x 1.9 cm) (toys, each)3-1/2 x 6-3/8 x 2-1/4 inches (8.9 x 16.2 x 5.7 cm) (bus stop)8-1/4 x 8-1/4 x 3-1/8 inches (21 x 21 x 7.9 cm) (box)Each toy stamped on the reverse Bus stop stamped on the front Produced by Medicom Toy, TokyoComes in clear molded plastic, in black box with silver foil lettering. HID07601242017閱讀更多
- 19d 14h
- 預估最低價
- 顯示出價 1 600 HKD
Sylvia Plath Fine Typescript of early poem "The Bronze Boy" Plath
Typescript of "The Bronze Boy" a very early Plath poem comprising fourteen lines, beginning: "Gold mouths are crying with the young.", with an autograph revision in the ninth line, with typed name and Haven House address, marked in pencil "90" "The Bronze Boy", is among the fifty printed by Hughes in Collected Poems, although under the title ªGold Mouths Cry' and in a substantially different version. Ours starts: "Gold mouths are crying with the young/ Certainty of the bronze boy who stands/ naked in the garden; who lately sung/ Of how eternity lay in his hands."; as against the published version: ªGold mouths cry with the green young/ certainty of the bronze boy/ remembering a thousand autumns.'Of the early poems in general Ted Hughes writes in his edition of Sylvia Plath's Collected Poems (1981): 'At their best, they are as distinctive and as finished as anything she wrote later on. They can be intensely artificial, but they are always lit by her unique excitement. And that sense of a deep mathematical inevitability in the sound and texture of her lines was well developed early on. And one can see here, too, how exclusively her writing depended on a supercharged system of inner symbols and images, an enclosed cosmic circus. As poems, they are always inspired high jinks, but frequently quite a bit more. And even at their weakest they help chart the full acceleration towards her final take-off' (p. 16). This typescript part of a group deriving from the sale of her estate (Sotheby's, New York, 6 April 1982). The group pre-date the ªblack summer of 1953' and her first suicide attempt. See my other listings for further examples.閱讀更多
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A PAIR OF RE-SILVERED BRONZE CHENETS
A PAIR OF RE-SILVERED BRONZE CHENETS, IN 17TH CENTURY STYLE |閱讀更多
- 11d -1h
- 預估最低價
- 顯示出價 3 600 HKD
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Jeff Wolf, Entitled "The Stock Detective", Available Limited Edition
Western Bronze Sculpture, by Renowned Western Artist Jeff Wolf, Entitled "The Stock Detective", Available Limited Edition, 6 of 25, #1006 Description: Western Bronze Sculpture, by Renowned Western Artist Jeff Wolf, Entitled "The Stock Detective", Available Limited Edition, 6 of 25. “The Stock Detective” tell a story of a overlooked and short lived era of the American west. The late 1800’s brought many changes to the western landscape. The great demand for beef forced a great migration of cattle on to all regions of the west. Millions of cattle free ranged from Texas to California all the way to the Canadian border. This was known as the great Cattle Baron era. Since the advancement of organized law enforcement had not yet been established it had spawned a free for all for rustlers, herd cutters, horse thieves and murderers. The great stockmen who had invested millions in these vast cattle companies had little choice other than to police their ranges by any means available. Many hired ex-military scouts and sharpshooters to control the pillaging. The title “Stock Detective” became the formal title of these range patrolmen. Their duty was to take care of the problem when and where it occurred using any means they found fit. No questions asked! The winter of 1886 -1887 change the face of the western livestock industry forever. Millions of cattle and horses starved and froze to death leaving the majority of these large operations bankrupt. It also opened the door to homesteading and other civilized advancements. As organize law became prevalent the days of the Stock Detective came to an end all within a ten year period. The saga of Tom Horn summed up these last days of the free riding Stock Detective. (Note: currently available) Dimensions: 29" L x 29" H x 24" W, approximately 80 pounds Condition: Excellent, Limited Edition, 6 of 25. Provenance: Jeff Wolf, 2016 Biography of Jeff Wolf and Achievements Follow: Persistence makes perfect: The trail to the top of the Western Art world is steep and narrow. It is littered with obstacles, beset with sheer drop-offs, and hindered by unexpected twists and turns. Sculptor Jeff Wolf has ridden that trail for more than twenty-five years and reached heights few artists attain. Along the way he has placed bronzes in prominent museums and permanent exhibits, in prestigious private collections, and on display in public venues. He has been bestowed with honors and awards, recognized in juried competitions, and called upon to teach and demonstrate. Western Bronze Sculpture, by Renowned Western Artist Jeff Wolf, Entitled "The Stock Detective", Available Limited Edition, 6 of 25, #1006 Description: Western Bronze Sculpture, by Renowned Western Artist Jeff Wolf, Entitled "The Stock Detective", Available Limited Edition, 6 of 25. “The Stock Detective” tell a story of a overlooked and short lived era of the American west. The late 1800’s brought many changes to the western landscape. The great demand for beef forced a great migration of cattle on to all regions of the west. Millions of cattle free ranged from Texas to California all the way to the Canadian border. This was known as the great Cattle Baron era. Since the advancement of organized law enforcement had not yet been established it had spawned a free for all for rustlers, herd cutters, horse thieves and murderers. The great stockmen who had invested millions in these vast cattle companies had little choice other than to police their ranges by any means available. Many hired ex-military scouts and sharpshooters to control the pillaging. The title “Stock Detective” became the formal title of these range patrolmen. Their duty was to take care of the problem when and where it occurred using any means they found fit. No questions asked! The winter of 1886 -1887 change the face of the western livestock industry forever. Millions of cattle and horses starved and froze to death leaving the majority of these large operations bankrupt. It also opened the door to homesteading and other civilized advancements. As organize law became prevalent the days of the Stock Detective came to an end all within a ten year period. The saga of Tom Horn summed up these last days of the free riding Stock Detective. (Note: currently available) Dimensions: 29" L x 29" H x 24" W, approximately 80 pounds Condition: Excellent, Limited Edition, 6 of 25. Provenance: Jeff Wolf, 2016 Biography of Jeff Wolf and Achievements Follow: Persistence makes perfect: The trail to the top of the Western Art world is steep and narrow. It is littered with obstacles, beset with sheer drop-offs, and hindered by unexpected twists and turns. Sculptor Jeff Wolf has ridden that trail for more than twenty-five years and reached heights few artists attain. Along the way he has placed bronzes in prominent museums and permanent exhibits, in prestigious private collections, and on display in public venues. He has been bestowed with honors and awards, recognized in juried competitions, and called upon to teach and demonstrate閱讀更多
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KAWS X Robert Lazzarini Companion (Black), 2010 Painted cast vinyl
, 2010Painted cast vinyl7-3/4 x 4-3/4 x 2 inches (19.7 x 12.1 x 5.1 cm) (toy)10-1/4 x 6-3/4 x 5-1/8 inches (26 x 17.1 x 13 cm) (box)Stamped to the underside of the feet Produced by Medicom Toy and OriginalFake, TokyoComes in white molded plastic, in black box with yellow lettering.HID07601242017閱讀更多
- 19d 14h
- 預估最低價
- 顯示出價 7 900 HKD
KAWS X Kubrick Bus Stop, Series 4, 2002 Painted cast resin 2-3/4 x
, 2002Painted cast resin2-3/4 x 1-3/8 x 3/4 inches (7 x 3.5 x 1.9 cm) (toys, each)3-1/2 x 6-3/8 x 2-1/4 inches (8.9 x 16.2 x 5.7 cm) (bus stop)8-1/4 x 8-1/4 x 3-1/8 inches (21 x 21 x 7.9 cm) (box)Each toy stamped on the reverse Bus stop stamped on the front ''Produced by Medicom Toy, TokyoComes in clear and grey molded plastic, in black box with color lettering. HID07601242017閱讀更多
- 19d 14h
- 預估最低價
- 顯示出價 1 600 HKD
Pair of Articulated Copulating Figures
Pair of Articulated Copulating Figures, New England, late 19th century, pine, with wire scissor action, ht. 6 3/4 in., with custom stand. Provenance: Ricco/Maresca, 1997. The Marvill Collection Estimate $400-600 The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email (lot inquiry button) or by telephone to the appropriate gallery location (Boston/617.350.5400 or Marlborough/508.970.3000). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner Inc. shall have no responsibility for any error or omission.閱讀更多
- 15d 1h
- 預估最低價
- 顯示出價 3 100 HKD
Native American Pottery : Very Rare Early Native American Tesuque Pottery #201
Native American Tesuque Pottery 201. Description: Native American Tesuque pottery with geometric frieze. White slip with black decoration. Small chip to rim and paint loss, hairline crack on bottom. 6 1/2" H x 6 3/4" dia.; 4 3/8" dia. of top. From the Estate of Charles P. Lamb. An interesting article follows about the life and times of Charles P. Lamb that makes interesting reading about the man who collected this unique piece of pottery. By BY LEONARD SPARKS Times Herald-Record Published: 9:25 PM - 05/30/14 LIVINGSTON MANOR: Charles Lamb called his need to create "my curse." He spent decades using his Livingston Manor property as a palette for his metal- and wood-crafting skills and a repository for hundreds of antique decorative-art and sculpture pieces he collected in obscurity. But the spotlight Lamb avoided while alive is about to brightly light his life and artwork because of the efforts of Liberty attorney Brian Rourke, who Lamb asked to manage his estate before he died at 87 in January 2013. Appraisers and workers assembled by New York City-based Roland Antiques are busy cataloging Lamb's metal and wood sculptures, his collection of Asian antiquities, sculptures and ceramics, and 12-foot-high castle doors dating from the 17th century. Roland Antiques will ship over 400 pieces to New York for a June 14 auction to benefit Doctors Without Borders, Lamb's designated charity. The auction will also introduce the world to an artist who worked and collected in obscurity. "This is real art," said Bill Roland, who says the collection is difficult to price but could bring between $100,000 and $250,000. "This guy was a genius." A Lamb-sculpted dragon sits outside his property's main house. Along the property's creek is a series of brick arches he built, and the creek's waters spill over the dam he remade by hand, aided by a pulley system used to move stones. Lamb was a Stanford-trained engineer and theater-arts major who fought in World War II, acted in and led the Dobbs Ferry Players. He turned to furniture design, selling to clients that included jazz great Stan Getz. In 1972, he bought the Livingston Manor property. There, the untrained sculptor and artist turned a barn into a studio where he began handcrafting metal figurines and decorative artworks, and wood carvings. "I felt a connection to this gentleman and a desire to make sure that what he labored for, what he built, was not just forgotten after everything was sold," Rourke said . Among the handmade finds in his main house is a cabinet with a motorized door. There is a collection of China-made bowls dating from the 1500's and 1600's and an elephant-shaped Japanese urn from the 1800's. A set of 16th- to 17th-century castle doors with hand-carved panels is fitted into one side of the building housing his workshop. The first and second floors of the workshop hold treasures such as a full-size knight figurine and a chess set whose figures take medieval legends as a model. "Each piece is modeled individually," said Cynthia Pappas, an art expert working with Roland. Roland estimates that he will auction about 500 pieces in total, including about 200 of Lamb's original pieces. He expects to attract attention from dealers near his Greenwich Village gallery and through newspaper advertisements, and plans to send an email blast to about 200,000 names on an auctioneer's list. "I think when the world sees this, they're going to go crazy," Roland said. A History of Pueblo Pottery: Pueblo pottery is made using a coiled technique that came into northern Arizona and New Mexico from the south, some 1500 years ago. In the four-corners region of the US, nineteen pueblos and villages have historically produced pottery. Although each of these pueblos use similar traditional methods of coiling, shaping, finishing and firing, the pottery from each is distinctive. Various clay's gathered from each pueblo's local sources produce pottery colors that range from buff to earthy yellows, oranges, and reds, as well as black. Fired pots are sometimes left plain and other times decorated most frequently with paint and occasionally with applique. Painted designs vary from pueblo to pueblo, yet share an ancient iconography based on abstract representations of clouds, rain, feathers, birds, plants, animals and other natural world features. Tempering materials and paints, also from natural sources, contribute further to the distinctiveness of each pueblo's pottery. Some paints are derived from plants, others from minerals. Before firing, potters in some pueblos apply a light colored slip to their pottery, which creates a bright background for painted designs or simply a lighter color plain ware vessel. Designs are painted on before firing, traditionally with a brush fashioned from yucca fiber. Different combinations of paint color, clay color, and slips are characteristic of different pueblos. Among them are black on cream, black on buff, black on red, dark brown and dark red on white (as found in Zuni pottery), matte red on red, and poly chrome a number of natural colors on one vessel (most typically associated with Hopi). Pueblo potters also produce un-decorated polished black ware, black on black ware, and carved red and carved black wares. Making pueblo pottery is a time-consuming effort that includes gathering and preparing the clay, building and shaping the coiled pot, gathering plants to make the colored dyes, constructing yucca brushes, and, often, making a clay slip. While some Pueblo artists fire in kilns, most still fire in the traditional way in an outside fire pit, covering their vessels with large potsherds and dried sheep dung. Pottery is left to bake for many hours, producing a high-fired result. Today, Pueblo potters continue to honor this centuries-old tradition of hand-coiled pottery production, yet value the need for contemporary artistic expression as well. They continue to improve their style, methods and designs, often combining traditional and contemporary techniques to create striking new works of art. (Source: Museum of Northern Arizona) View the other items in my shop: http://www.etsy.com/shop/CulturalPatina?ref=shopsection_shophome_leftnav, Native American, Tesuque Pottery, 201. Description: Native American Tesuque pottery with geometric frieze. White slip with black decoration. Small chip to rim and paint loss, hairline crack on bottom. 6 1/2" H x 6 3/4" dia.; 4 3/8" dia. of top. From the Estate of Charles P. Lamb. An interesting article follows about the life and times of Charles P. Lamb that makes interesting reading about the man who collected this unique piece of pottery. By BY LEONARD SPARKS Times Herald-Record Published: 9:25 PM - 05/30/14, LIVINGSTON MANOR: Charles Lamb called his need to create "my curse." He spent decades using his Livingston Manor property as a palette for his metal- and wood-crafting skills and a repository for hundreds of antique decorative-art and sculpture pieces he collected in obscurity. But the spotlight Lamb avoided while alive is about to brightly light his life and artwork because of the efforts of Liberty attorney Brian Rourke, who Lamb asked to manage his estate before he died at 87 in January 2013. Appraisers and workers assembled by New York City-based Roland Antiques are busy cataloging Lamb's metal and wood sculptures, his collection of Asian antiquities, sculptures and ceramics, and 12-foot-high castle doors dating from the 17th century. Roland Antiques will ship over 400 pieces to New York for a June 14 auction to benefit Doctors Without Borders, Lamb's designated charity. The auction will also introduce the world to an artist who worked and collected in obscurity. "This is real art," said Bill Roland, who says the collection is difficult to price but could bring between $100,000 and $250,000. "This guy was a genius.", A Lamb-sculpted dragon sits outside his property's main house. Along the property's creek is a series of brick arches he built, and the creek's waters spill over the dam he remade by hand, aided by a pulley system used to move stones. Lamb was a Stanford-trained engineer and theater-arts major who fought in World War II, acted in and led the Dobbs Ferry Players. He turned to furniture design, selling to clients that included jazz great Stan Getz. In 1972, he bought the Livingston Manor property. There, the untrained sculptor and artist turned a barn into a studio where he began handcrafting metal figurines and decorative artworks, and wood carvings. "I felt a connection to this gentleman and a desire to make sure that what he labored for, what he built, was not just forgotten after everything was sold," Rourke said . Among the handmade finds in his main house is a cabinet with a motorized door. There is a collection of China-made bowls dating from the 1500's and 1600's and an elephant-shaped Japanese urn from the 1800's. A set of 16th- to 17th-century castle doors with hand-carved panels is fitted into one side of the building housing his workshop. The first and second floors of the workshop hold treasures such as a full-size knight figurine and a chess set whose figures take medieval legends as a model. "Each piece is modeled individually," said Cynthia Pappas, an art expert working with Roland. Roland estimates that he will auction about 500 pieces in total, including about 200 of Lamb's original pieces. He expects to attract attention from dealers near his Greenwich Village gallery and through newspaper advertisements, and plans to send an email blast to about 200,000 names on an auctioneer's list. "I think when the world sees this, they're going to go crazy," Roland said. , A History of Pueblo Pottery:, Pueblo pottery is made using a coiled technique that came into northern Arizona and New Mexico from the south, some 1500 years ago. In the four-corners region of the US, nineteen pueblos and villages have historically produced pottery. Although each of these pueblos use similar traditional methods of coiling, shaping, finishing and firing, the pottery from each is distinctive. Various clay's gathered from each pueblo's local sources produce pottery colors that range from buff to earthy yellows, oranges, and reds, as well as black. Fired pots are sometimes left plain and other times decorated most frequently with paint and occasionally with applique. Painted designs vary from pueblo to pueblo, yet share an ancient iconography based on abstract representations of clouds, rain, feathers, birds, plants, animals and other natural world features. Tempering materials and paints, also from natural sources, contribute further to the distinctiveness of each pueblo's pottery. Some paints are derived from plants, others from minerals. Before firing, potters in some pueblos apply a light colored slip to their pottery, which creates a bright background for painted designs or simply a lighter color plain ware vessel. Designs are painted on before firing, traditionally with a brush fashioned from yucca fiber. Different combinations of paint color, clay color, and slips are characteristic of different pueblos. Among them are black on cream, black on buff, black on red, dark brown and dark red on white (as found in Zuni pottery), matte red on red, and poly chrome a number of natural colors on one vessel (most typically associated with Hopi). Pueblo potters also produce un-decorated polished black ware, black on black ware, and carved red and carved black wares. Making pueblo pottery is a time-consuming effort that includes gathering and preparing the clay, building and shaping the coiled pot, gathering plants to make the colored dyes, constructing yucca brushes, and, often, making a clay slip. While some Pueblo artists fire in kilns, most still fire in the traditional way in an outside fire pit, covering their vessels with large potsherds and dried sheep dung. Pottery is left to bake for many hours, producing a high-fired result. Today, Pueblo potters continue to honor this centuries-old tradition of hand-coiled pottery production, yet value the need for contemporary artistic expression as well. They continue to improve their style, methods and designs, often combining traditional and contemporary techniques to create striking new works of art. (Source: Museum of Northern Arizona), View the other items in my shop: http://www.etsy.com/shop/CulturalPatina?ref=shopsection_shophome_leftnav閱讀更多
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Ancient Sardianian Statuette of a Priestess
Despite the severely corroded surface, the statuette is whole. Cast in solid bronze, it was attached to its base by a vertical tang as an extension of the heels that also served as the entry point for the molten metal during the casting process.閱讀更多
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Tyrol, circa 1630, pine wood, skilfully carved, old polychrome paint and gilding, height 58 cm, age damage, parts missing, (MC) Between 1619 and 1623, Hans Patsch was the pupil of Christoph Rodt (1575-1634) in Neuburg an der Kammel. This God the Father is closely related to the God the Father on the Stuben Altarpiece, dated 1626/27, today in Kartaus im Schnalstal, and the God the Father at the Landesmuseum Ferdinandeum, Tyrol (inv. no. P76). Lit.: Albrecht Miller, 'Hans Patsch'. in: exh. cat. Barock im Oberland, Innsbruck 1973, pp. 10-11, 33-34, ills. 5, 53-56.閱讀更多
- 6d 0h
- 預估最低價
- 顯示出價 126 000 HKD
Welded sheet metal with industrial chain link mane; 61" x 72" x 14"閱讀更多
- 1d 4h
- 預估最低價
- 顯示出價 4 700 HKD
Carved, Painted, and Gilded Odd Fellows Lodge Serpent and Rod Staff
Description: Carved, Painted, and Gilded Odd Fellows Lodge Serpent and Rod Staff, America, c. 1850, the black and gold serpent with detailed head and mouth, spiraling around a tapered green-painted staff with a gold ball top, with custom stand, lg. 64 in. Provenance: Richard W. Oliver Auction, Kennebunk, Maine, June 26, 1988. Provenance: The Arthur & Sybil Kern Collection of American Folk Art. Estimate $1,500-2,500 The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email (lot inquiry button) or by telephone to the appropriate gallery location (Boston/617.350.5400 or Marlborough/508.970.3000). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner Inc. shall have no responsibility for any error or omission. Keywords Richard W. Oliver, Sybil Kern, Cultural anthropology, Dragons, Folklore, Independent Order of Oddfellows Manchester Unity, Kennebunk station, Kennebunk, Maine, Mythology, Serpent, Kennebunk, Description:, Carved, Painted, and Gilded Odd Fellows Lodge Serpent and Rod Staff, Estimate $1,500-2,500, The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email (lot inquiry button) or by telephone to the appropriate gallery location (Boston/617.350.5400 or Marlborough/508.970.3000). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner Inc. shall have no responsibility for any error or omission. Keywords, Keywords Richard W. Oliver, Sybil Kern, Cultural anthropology, Dragons, Folklore, Independent Order of Oddfellows Manchester Unity, Kennebunk station, Kennebunk, Maine, Mythology, Serpent, Kennebunk, Richard W. Oliver, Sybil Kern, Cultural anthropology, Dragons, Folklore, Independent Order of Oddfellows Manchester Unity, Kennebunk station, Kennebunk, Maine, Mythology, Serpent, Kennebunk閱讀更多
- 16d 10h
- 預估最低價
- 顯示出價 11 700 HKD
KAWS (b. 1974) Warm Regards Bar (Pink), 2008 Painted cast vinyl 6-1/2
, 2008Painted cast vinyl6-1/2 x 3-1/2 x 1 inches (16.5 x 8.9 x 2.5 cm) (toy)7-1/4 x 4-3/8 x 1-/3/4 inches (18.4 x 11.1 x 4.4 cm) (box)Stamped on the reverse and Produced by Medicom Toy and OriginalFake, TokyoComes in white molded plastic, in a pink box with dark pink lettering. HID07601242017閱讀更多
- 19d 14h
- 預估最低價
- 顯示出價 4 700 HKD
EARLY RENAISSANCE ITALIAN OR FRENCH TERRA COTTA FIGURE
Polycromed Gesso on Terra Cotta Figure of the Madonna and child, possibly early 16th c. She is depicted enthroned with the infant Christ on her knee, 32 1/2" x 16" x 12", missing her right arm and his left foot.閱讀更多
- 22d 4h
- 預估最低價
- 顯示出價 15 700 HKD
Striking ‘Black Forest’ walnut carving of an eagle
A monumental and striking ‘Black Forest’ walnut carving of an eagle perched on a toppled shield, E Binder Shown with outstretched wings and the head turned to the right , the talons gripping a sheaf of arrows and a shield decorated in gilt with 12 stars partially obscured by a trailing laurel branch, the feathers realistically carved and scorched, the gaping mouth painted red, all raised on a turned socle.閱讀更多
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"Top Money" by James P. Regimbal, Ca 1978, 9/50, #1090
Bronze Sculpture, "Top Money" by James P. Regimbal, Ca 1978, 9/50, #1090 Description: #1089 Bronze Sculpture, "Top Money" by James P. Regimbal, Ca 1978, 9/50, Stamped "G.W. Works LA" Dimensions: 13 1/2" x 14" x 6" Condition: Excellent Artist: James Regimbal strives to pass on the true story of our American heritage through his bronze sculpture. According to James: "Only the best of my work is good enough to be cast in bronze. Work that has been fully designed and completely executed should have this liberty. It's not the cost of bronze itself, though very expensive to have cast, but the everlasting life and beauty of bronze. Knowing that in years to come these sculptures will still be in existence and appreciated, passing on a true story of our heritage. The demand we put on creating excellence today is to show our selves and future generations. The work that has been completed in this life long collection is a culmination of decades of genuine American creativity, craftsmanship ,labor and talent. Like in the past, as in European country's the artist and craftsmen would work without seeming end. Time wasn't of the essence, but quality, accuracy and demand for excellence was always present in those days. You can find more of James’ work at https://www.etsy.com/your/shops/CulturalPatina/sections/16131018, Bronze Sculpture, "Top Money" by James P. Regimbal, Ca 1978, 9/50, #1090 Description: #1089 Bronze Sculpture, "Top Money" by James P. Regimbal, Ca 1978, 9/50, Stamped "G.W. Works LA" Dimensions: 13 1/2" x 14" x 6" Condition: Excellent Artist: James Regimbal strives to pass on the true story of our American heritage through his bronze sculpture. According to James: "Only the best of my work is good enough to be cast in bronze. Work that has been fully designed and completely executed should have this liberty. It's not the cost of bronze itself, though very expensive to have cast, but the everlasting life and beauty of bronze. Knowing that in years to come these sculptures will still be in existence and appreciated, passing on a true story of our heritage. The demand we put on creating excellence today is to show our selves and future generations. The work that has been completed in this life long collection is a culmination of decades of genuine American creativity, craftsmanship ,labor and talent. Like in the past, as in European country's the artist and craftsmen would work without seeming end. Time wasn't of the essence, but quality, accuracy and demand for excellence was always present in those days. You can find more of James’ work at https://www.etsy.com/your/shops/CulturalPatina/sections/16131018閱讀更多
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Copeland Art Union of London Parian Bust of Alexandra
Description: Copeland Art Union of London Parian Bust of Alexandra, 19th century, (repairs), ht. 16 in. Estimate $150-250 The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email (lot inquiry button) or by telephone to the appropriate gallery location (Boston/617.350.5400 or Marlborough/508.970.3000). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner Inc. shall have no responsibility for any error or omission. Description:, Copeland Art Union of London Parian Bust of Alexandra, Estimate $150-250, The absence of a condition statement does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections or the effects of aging. Condition requests can be obtained via email (lot inquiry button) or by telephone to the appropriate gallery location (Boston/617.350.5400 or Marlborough/508.970.3000). Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Skinner Inc. shall have no responsibility for any error or omission閱讀更多
- 7d 3h
- 預估最低價
- 顯示出價 1 200 HKD
Angela Baca (Santa Clara, 1927-2014) Blackware Melon Jar
Angela Baca (Santa Clara, 1927-2014) Blackware Melon Jar signed Angela Baca on base, together with a Blue Corn, Crucita Calabaza (San Ildefonso, 1921-1999) black oval bowl, signed Blue Corn, San Ildefonso Pueblo and a Legoria & Celes Tafoya (Santa Clara, 1911-1984 & b. 1934)) blackware oval bowl with bear paw design, signed Legoria & Celes, Sta Clara Pueblo. Height of first 4 1/2 x 5 inches閱讀更多
- 21d 5h
- 預估最低價
- 顯示出價 3 100 HKD
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