
全部拍賣 / Contemporary Art / Santicri - Sorry, I'm just a Housemaide

Santicri - Sorry, I'm just a Housemaide

Santicri participated in numerous art exhibitions of international prominence. Among the most significant, in 2022 he exhibited his works at the prestigious Palazzo Grillo in Genoa, and in 2023 he was present at the International Contemporary Furniture Fair (ICFF) in New York, thereby expanding his visibility in both national and international contexts. Santicri was recognized among the Best-Selling Artists of 2024 by Artmayeur, one of the most renowned platforms in the art world. In the same year, he was also included among the top three most searched names on the Catawiki platform, a further sign of the growing appreciation for his work. These recognitions highlight the extraordinary talent and increasing visibility of Santicri in the contemporary art landscape. Santicri Mixed media Dimensions: 70x50x2 cm Certificate of authenticity - hand-signed Limited edition of 8 The work "Sorry, I'm Just a Housemaid" is a bold and provocative statement that challenges the convention associated with the traditional representation of the painting. The artist, through the use of a rag attached and the partial erasure of the work, seems to comment on the stereotyped role of women in domestic dynamics and the degradation of the female figure to mere status of "donna delle pulizie". The choice to title the work with a declaration of apology, "Sorry, I'm Just a Housemaid", adds a layer of sarcasm and self-irony, perhaps revealing a critical message towards social expectations and perceptions of inferiority imposed on women. The presence of the rag as a tool of erasure seems to suggest a rebellion against the static nature of the iconic painting, reconsidering it through a more contemporary and feminist lens. The partial erasure could be interpreted as a search for liberation from predefined roles or a statement of personal emancipation. Critiques could arise regarding whether the provocation of the work risks being misunderstood or whether the act of partially erasing a historic artwork is considered an act of iconoclasm. However, the work surely opens a discussion on issues of gender, stereotypes and the power to redefine artistic narratives through a new contemporary gaze. SHIPPING INSURED! The package is carefully packed, The canvas is shipped already mounted on a wooden frame, frame not included. The edition number shipped will be chosen at random among those available. The artist established himself in 2024 as one of the most sought-after names on Catawiki, immediately ranking after icons such as Kaws and Banksy. His art stands out in an exclusive context that includes other fields of excellence, such as Rolex, Lego, Louis Vuitton, Porsche, Eames, Macallan, Tintin, Cartier and Pokémon. A talent recognized not only for creative value but also as one of the most promising investments of the year. Born in 1992 in Macerata, Marche, the Italian artist pursued a path that, between studies in Geometer and Architecture, led him to collaborate with an artisan sculptor in resin. There arose the growing need to find himself and unleash his creativity. His works are sold worldwide, collaborating with galleries in Italy and Europe. His art is widely appreciated and cannot be missing among collectors of paintings and sculptures of street art, pop art, contemporary art. "It is never easy to classify one’s art; I try to convey what my eyes see, my way of viewing what surrounds me, and I reshape it with a design that suits modern times: impactful and memorable." This listing contains visualizations generated via artificial intelligence (AI). Please refer to the original photographs to verify the actual conditions of the item.
估價:$3,346.98
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估價:
$3,346.98
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