Peter Halley

Peter Halley 1953 Station. 1992. Acrylic, fluorescent acrylic, and Roll-A-Tex on canvas. Twice signed and dated on the reverse of the canvas. 238.8 x 238.5 cm (94 x 93.8 in). • Vibrant, fluorescent colors with a large Roll-A-Tex element: an early, powerfully tactile work executed with extreme technical precision. • Peter Halley rose to fame as a representative of “Neo-Geo,” a celebrated New York art movement of the late 1980s. • His works are abstract representations of the figurative; often the title refers to the concept behind the image, as here with “Station,” which is reminiscent of a subway map. • Other works by the artist are held in international museum collections, including the Museum of Modern Art, New York; the Tate Gallery, London; the Städel Museum, Frankfurt am Main; and the Whitney Museum of American Art, New York. The work is registered in the artist’s archive. We are grateful to the Peter Halley Studio for the kind assistancet. PROVENANCE: Jablonka Galerie, Cologne. Private collection. From a German collection. EXHIBITION: Neues Museum Weserburg, Bremen (permanent loan). La Colleccion Onnasch. Aspects of Contemporary Art, MACBA, Barcelona, Nov. 7, 2001–Feb. 24, 2002; Museu Serralves, Porto, Mar. 22–June 23, 2002. Peter Halley. Cells and Conduits, El Sourdog Hex, Berlin, May 4–June 27, 2009. Peter Halley: New Paintings, Jablonka Galerie, Cologne, June 1993. LITERATURE: Thomas Hoppe, Acrylmalerei. Die künstlerischen Techniken, Leipzig 2000, p. 212. El Sourdog Hex (ed.), Nineteen artists, Berlin 2010 (with ill. on p. 164). Called up: December 5, 2026 - ca. 16.32 h +/- 20 min.

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