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全部拍賣 / Furniture, Design & Mirrors / Mark Rothko (after) - Untitled (Lavender and Mulberry)...

4d 10hES

Mark Rothko (after) - Untitled (Lavender and Mulberry)...

Offset Lithograph after Mark Rothko (*) Reproduction of the work “Untitled (Lavender and Mulberry)” created by Rothko in 1959. Printed on thick Fine Art board. Published by VG Bild-Kunst, Bonn in 2004. Print licensed under copyright by Kate Rothko-Prizel & Christopher Rothko. Large format. - Sheet dimensions: 80 x 60 cm - Year: 2004 - Condition: Excellent (this work has never been framed or exhibited, always kept in a professional art folder, and therefore remains in perfect condition). - Provenance: Private collection. The work will be carefully handled and packed in reinforced cardboard packaging. The shipment will be trackable with a tracking number. The shipment will also include transport insurance for the final value of the work with full refund in case of loss or damage, at no cost to the buyer. (*) Mark Rothko, along with Pollock, was one of the foremost representatives of American abstraction. Through his painting he sought to achieve an ambitious utopia: to express the most basic universal emotions. And for many he did. Markus Rothkovitz was born in Russia. From an evidently Jewish family, he emigrated to Oregon in 1910, probably fleeing the antisemitism that drove so many minds away. He studied art in the 1920s, but considered himself self-taught. Before World War II he cultivated Expressionist figuration and absorbed the spirit of the avant-gardes he saw in exhibitions organized by the MoMA. After the war he began to explore color field painting, gradually abandoning figurative references and in the 1950s, with abstract expressionism already established, he began the personal abstraction that would define his painting from then on. Rothko’s paintings, enormous, show wide rectangular fields of color with undefined boundaries between them. The colors are blurred, floating suspended on the canvas, evoking quite interesting mystical sensations. From then on, Mark Rothko would become an institution of American art. Protected by Peggy Guggenheim, his successes were notable. But by the late 1960s, amid a depressive crisis, and after painting his series of works with black acrylic, he ultimately committed suicide.

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