Joan Miro (1893-1983) - Parler Seul - Lithographic licensed print - 2004 - COA

Joan Miró Lithograph (*) This work reproduces one of the illustrations originally created by Miró to illustrate the poetry book “Parler Seul” (**) (Speak Only), written by Tristan Tzara in 1947. Published by Maeght Editeur in 2004. Made on 100% cotton vellum paper of high weight (220g). Signed on the plate. Publisher’s seal and the Miró Estate seal on the back of the sheet. Includes Certificate of Authenticity (COA). Specifications: - Support dimensions: 60 x 45 cm - Image dimensions: 42 x 33 cm - Year 2004 - Edition: 1000 copies - References: Cramer 17. Rauch 165 - Condition: Excellent (this work has never been framed or exhibited, and has always been kept in a professional art folder, thus it remains in perfect condition). The work will be carefully handled and packed in a reinforced flat cardboard parcel. The shipment will be insured with a tracking number. The shipment will also include full insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer. (*) Joan Miró (1893-1983) was born in Barcelona, where he grew up and began his artistic studies. He attended the La Llotja academy contrary to his parents’ wishes, who wanted him to work in a more traditional way. Later he studied at the Escola d’Art de Francesc Galí and met the Fauves and the Cubists. His emotional landscapes, which shaped him as a person and as an artist, are essentially Mont-roig, Paris, Mallorca and later New York and Japan. Mont-roig, a small town in the Baix Camp comarca, would be the counterpoint to the intellectual agitation he experienced in Paris, where he moved in the twenties among surrealist poets and the most creative artists of his time. There he came to know Arp, Magritte, Brancusi and Giacometti and exhibited with Dalí, Tanguy, Meret Oppenheim and Max Ernst in several exhibitions on Dadaism and Surrealism. The stimulus of abstract expressionism revealed itself to him in New York in the forties. Later, in 1956, in the midst of World War II, Joan Miró would leave exile in France and settle in Palma de Mallorca, a refuge and work space, where his friend Josep Lluís Sert would design the studio he had always dreamed of. There he focused on sculpture and ceramics, until his death in 1983. Rooted in the landscape of Mont-roig first and Mallorca later would be decisive in his work. The bond with the earth and the interest in everyday objects and the natural surroundings would be the background for some of his technical and formal investigations. Miró fled academicism, in constant search of a global and pure oeuvre, not attached to any particular movement. Content in the forms and in public manifestations, it is through the plastic act that Joan Miró shows his rebelliousness and a great sensitivity to the political and social events that surround him. This clash of forces would lead him to create a unique and very personal language that positions him as one of the most influential artists of the 20th century. (**) “Parler Seul” represents a particularly effective collaboration between artist and author. Miró’s brilliantly spontaneous and amorphous images, drawn directly on stone with very few preparatory sketches, have the inventive brio of Tzara’s random verses. The original edition was produced by Maeght Editeur and consists of 72 original lithographs by Miró, 49 of them in color, of which 18 are hors-texte. (*) Joan Miró (1893-1983) was born in Barcelona, where he grew up and began his artistic studies. He attended the La Llotja academy contrary to his parents’ wishes, who wanted him to work in a more traditional way. Later he studied at the Escola d’Art de Francesc Galí and met the Fauves and the Cubists. His emotional landscapes, which shaped him as a person and as an artist, are essentially Mont-roig, Paris, Mallorca and later New York and Japan. Mont-roig, a small town in the Baix Camp comarca, would be the counterpoint to the intellectual agitation he experienced in Paris, where he moved in the twenties among surrealist poets and the most creative artists of his time. There he came to know Arp, Magritte, Brancusi and Giacometti and exhibited with Dalí, Tanguy, Meret Oppenheim and Max Ernst in several exhibitions on Dadaism and Surrealism. The influence of abstract expressionism revealed itself to him in New York in the forties. Later, in 1956, in the midst of World War II, Joan Miró would leave exile in France and settle in Palma de Mallorca, a refuge and workspace, where his friend Josep Lluís Sert would design the studio he had always dreamed of. There he focused on sculpture and ceramics, until his death in 1983. Rooted in the landscape of Mont-roig first and Mallorca later would be decisive in his work. The bond with the land and the interest in everyday objects and the surrounding environment would be the background for some of his technical and formal investigations. Miró fled from academicism, in constant search of a global and pure oeuvre, not attached to any determined movement. Content in the forms and in public manifestations, it is through the plastic act that Joan Miró shows his rebelliousness and a great sensitivity to the political and social events that surround him. This clash of forces would lead him to create a unique and very personal language that places him as one of the most influential artists of the 20th century. (**) “Parler Seul” represents a particularly effective collaboration between artist and author. Miró’s brilliantly spontaneous and amorphous images, drawn directly on stone with very few preparatory sketches, have the inventive brio of Tzara’s random verses. The original edition was produced by Maeght Editeur and consists of 72 original lithographs by Miró, 49 of them in color, of which 18 are hors-texte.

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