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Franco Cisternino (1969) - Raffinata

Franco Cisternino (1969) - Raffinata

ote: if you purchase more works in the same auction you pay ONLY ONE SHIPPING COST Franco Cisternino, born in Foggia (Italy) on July 21, 1969 0pera signed by hand on the front and on the back technique: ink pigment giclée on 100% cotton paper 360 g/m², sqm, with Certificate of Authenticity note; the available artwork might vary in numbering from No. 1 to 30 Shipping in a sturdy rigid package - VISIT also our online AUCTIONS platform with open bids on “delauretisart” The works of the painting cycle “Donna” are a scenographic and symbolic representation of the woman, seen both through the eyes of an artist and through the eyes of a man. With these paintings we aim to represent the woman beyond society’s stereotypes: her essence, her humanity, her fragility and, at the same time, her strength. The choice of color, in its monochromatic, slightly sepia-toned, intends to convey a sense of mystery, of lived experience and/or memory. The veil that envelops the woman has multiple meanings: the part that gently wraps around her body is pink, almost merging with her own skin; while the remaining part of it seeks to represent, through its tension, the influence of the social stereotype of a strong, emancipated, beautiful and slender woman. The title of the artwork aims to aid understanding by using adjectives or names linked to its intention to humanize it and to grasp its essence. The works of the painting cycle “Donna” are a scenographic and symbolic representation of the woman, seen both through the eyes of an artist and through the eyes of a man. With these paintings we aim to represent the woman beyond society’s stereotypes: her essence, her humanity, her fragility and, at the same time, her strength. The choice of color, in its monochrome, slightly sepia-toned, intends to give a sense of mystery, of lived experience and/or memory. The veil that envelopes the woman has multiple meanings: the part that wraps around her body delicately is pink, almost merging with her own skin; while the remaining part of it seeks to represent, through its tension, the influence of social stereotype of a woman who is strong, emancipated, beautiful and slim. The title of the artwork aims to help understanding of it by using adjectives or names tied to its intention of humanizing it and capturing its essence.

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