Eugen Schönebeck ”o. Titel”. 1963

India ink on paper. 42 × 29,7 cm (16 ½ × 11 ¾ in.). Monogrammed and dated in red ballpoint pen lower right: ES 63. Signed, titled and dated in blue ballpoint pen on the reverse: E. Schönebeck „o. Titel“ 1963. The drawing will be included in the catalogue raisonné of Eugen Schönebeck’s works on paper, being prepared by Juerg Judin and Dr Pay Matthis Karstens, Berlin. [3199] Framed We would like to thank Juerg Judin and Dr. Pay Matthis Karstens for kindly providing additional information. India ink on paper. 42 × 29,7 cm (16 ½ × 11 ¾ in.). Monogrammed and dated in red ballpoint pen lower right: ES 63. Signed, titled and dated in blue ballpoint pen on the reverse: E. Schönebeck „o. Titel“ 1963. The drawing will be included in the catalogue raisonné of Eugen Schönebeck’s works on paper, being prepared by Juerg Judin and Dr Pay Matthis Karstens, Berlin. [3199] Framed, We would like to thank Juerg Judin and Dr. Pay Matthis Karstens for kindly providing additional information. Private collection, Baden-Württemberg (acquired directly from the artist), Private collection, Baden-Württemberg (acquired directly from the artist), Eugen Schönebeck: Zeichnungen 1959–1963. Berlin, Galerie Silvia Menzel, 1986/87, ill. / Eugen Schönebeck: Die Nacht des Malers. Bilder und Zeichnungen 1957–1966. Hanover, Kestner-Gesellschaft, 1992, cat. no. 144, “I see the abyss of sincerity as the ground of existence, as a bestiary, as life in its entirety, as an inner force of expansion. A truth that always remains on a knife’s edge! A kind of constant loss of the normal level of reality. Artaud! I see the dado. This line… I do not believe in artistic inspiration, in the abundance of visions. ‘Certainly, inspiration exists.’ I do not want to assess it. I do not want to lose myself! No discussion! I love navel freedom… The grid around one’s own swelling body, and so on. Being sucked into oneself. The indeterminate. The convolutions of the navel as a ‘refuge of loss’. A kitchen assistant that never tires. It is about life, not narcissism.” (Eugen Schönebeck, from: Pandemonium II (Manifesto), 1962)

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