Emil Nolde

Emil Nolde 1867 - 1956 Wajangfigur und Blumen. 1928. Oil on panel. Signed in the lower left. Once more signed and titled on the reverse. 73.5 x 88.5 cm (28.9 x 34.8 in). [AW]. • EXPRESSIVE COLORS The vibrant flowers showcase Nolde at the height of his distinctive Expressionist style. • TWO PASSIONS A rare fusion of his famous floral paintings with his fascination for non-European art. • PERSONAL The Wayang figure came from Nolde’s collection and lends the still life an extraordinary personal dimension. • MUSEUM QUALITY Exhibited at Galerie Ferdinand Möller shortly after its creation and most recently on permanent loan to the Brücke Museum in Berlin for twelve years. • OUTSTANDING PROVENANCE From the artist’s estate, in the family’s possession for decades, and offered on the international auction market for the first time. The work is listed in the artist’s handwritten inventory as “1928 Wajanfigur und Blumen”. PROVENANCE: From the artist’s studio. Jolanthe Nolde Collection, Heidelberg (inherited from the aforementioned in 1956). In the family’s possession ever since. EXHIBITION: Galerie Ferdinand Möller, Berlin, Feb.–Mar. 16, 1930, cat. no. 10. Emil Nolde. Gemälde, Aquarelle, Graphik, Galerie Commeter, Hamburg, April–May 1930. Emil Nolde. Erste Herbstausstellung, Kunsthaus Schaller, Stuttgart, Oct. 11–Nov. 9, 1930, cat. no. 1734. Deutsche Kunstausstellung, Glaspalast, Munich, May 30–early Oct. 1930, cat. no. 1735. Emil Nolde Memorial Exhibition, Kunsthalle zu Kiel, December 9, 1956–January 13, 1957, cat. no. 27 (with illu.).Emil Nolde. Gemälde, Aquarelle, Graphik. Eine Privat-Sammlung, Kunstverein Heidelberg, May 31–July 31, 1958, cat. no. 10 (with illu.).Emil Nolde. Gemälde aus dem Besitz von Frau Jolanthe Nolde, Kurpfälzisches Museum, Heidelberg, 1969–1974, p. 31 (with color illu.). Emil Nolde. Figuren in Bildern, BAT-Haus, Hamburg, Jan. 13–Feb. 22, 1970, cat. no. 30 (with color illustration on p. 33). Emil Nolde. Masken und Figuren, Kunsthalle, Bielefeld, Jan. 7–Feb. 14, 1971, cat. no. 22 (with illustration on p. 18). Emil Nolde. Gemälde, Aquarelle, Zeichnungen und Druckgraphik, Kunsthalle Cologne, Feb. 10–Apr. 20, 1973, cat. no. 94 (with illustration on plate 77). Emil Nolde. Puppen, Masken und Idole, Ernst-Barlach-Haus – Hermann F. Reemtsma Foundation, Hamburg, Jan. 22–May 28, 2012; Ahlers Pro Arte/Kestner Pro Arte Foundation, Hanover, July 13–Oct. 21, 2012, p. 160 (with color illustration). Emil Nolde’s späte Liebe. Das Vermächtnis an seine Frau Jolanthe, Nolde Dependance, Berlin, Nov. 1, 2013–March 30, 2014, cat. no. 14 (pp. 30, 106, with color illustration). Brücke Museum, Berlin (permanent loan 2014–2026). Emil Nolde. Der Maler, Brücke Museum, Berlin, July 15–October 23, 2016; Kunstmuseum, Ravensburg, Nov. 5, 2016–Feb. 5, 2017, pp. 166ff. (with color illu. on plate 54).50 Jahre Brücke-Museum, Brücke-Museum, Berlin, Sept. 15, 2017–Apr. 15, 2018. Kirchner en Nolde: Expressionisme. Kolonialisme, Stedelijk Museum, Amsterdam, July 10–October 17, 2021 (exhibition catalog) Whose Expression? Die Künstler der Brücke im kolonialen Kontext, Brücke Museum, Berlin, December 18, 2021–March 20, 2022. LITERATURE: Martin Urban, Emil Nolde. Catalogue Raisonné of Paintings, vol. II (1915–1951), Munich 1990, CR no. 1062 (with black-and-white illustration on p. 367). - - Briefe von Emil Nolde an Rudolf Probst, October 2, 1931, and September 30, 1936 (copies in the archives of the Nolde Foundation, Seebüll). Ernst Gosebruch to Carl Hagemann, October 17, 1936, in: Hans Delfs, Mario Andreas von Lüttichau, and Roland Scotti, Kirchner, Schmidt-Rottluff, Nolde, Nay. Briefe an den Sammler und Mäzen Carl Hagemann 1906–1940, Ostfildern 2004, letter 756. Emil Nolde, Mein Leben, Cologne 1976, p. 342 (with illu.). Emil Nolde, Mein Leben, Copenhagen 1996, based on p. 288 (with illu. nK6). Emil Nolde, Mein Leben, Cologne 2008, p. 307 (with illu.). Manfred Reuther (ed.), Emil Nolde, Cologne 2010, p. 128 (with color illu.). Bernadette Schoog, Kirchner, Nolde, and the Others: Magdalena M. Moeller and the Brücke Museum Berlin, Munich 2017, p. 122 (with color illu.). "I particularly enjoyed painting still lifes inspired by the figures and masks in my beloved little collection, grouping and arranging them, often with a few flowers, in a free creative style." Emil Nolde, quoted from Emil Nolde, Mein Garten voller Blumen, 2010, p. 113. Called up: December 4, 2026 - ca. 18.44 h +/- 20 min.

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