Carlos Asensio - Yin III

- The work is in perfect condition of conservation. - It comes directly from the artist's studio and is completely original. - This painting is executed with oil on canvas. - It is hand-signed on the lower left of the front. - It would not need to be framed since it has painted edges. - Several layers of varnish have been applied to protect the painting. - Includes a certificate of authenticity issued and signed by the artist himself. - The painting is packed with bubble wrap and a sturdy cardboard to ensure its safety. - The piece is shipped mounted on a wooden stretcher via an international transport agency. "Yin" is a pictorial journey toward the deep essence of the feminine, not as a biological category nor a cultural stereotype, but as a primal force, receptive and transformative. Inspired by the principle of Yin within Taoist thought, this series deploys images that do not narrate, but evoke; do not describe the feminine, but embody it. Here, the woman is a symbol and presence. She is not represented as an object of gaze, but as a symbolic territory of creation, containment and rebirth. The silhouettes, sometimes blurred, sometimes full, emerge from a palette that dialogues with shadow, the organic, the nocturnal. Soft textures, sinuous lines and quiet compositions invite contemplation of the mystery rather than solving it. "Yin" is the cave and the seed, the uterus and the cycle. It is the energy that embraces rather than confronts, that transforms without noise. These paintings are thresholds: portals to an ancient, collective femininity that dwells beyond time and form. Carlos Asensio was born in Castellón in 1986. At an early age he began his academic training under the tutelage of Cuban artist Amaury Suárez. He holds a Doctorate in Fine Arts, with a grade of summa cum laude, and has a Master in Artistic Production from the Universitat Politècnica de València. He has also completed a Studio Program at the Berlin Art Institute where he received lessons from renowned artists such as Bernhard Martin, Larissa Fassler, Nikola Röthemeyer or Various & Gould. His work in the field of research has led him to participate in several international university congresses, as well as publishing in humanities journals such as Human Review or Peter Lang. Among his notable solo exhibitions are those held at Centro de Arte Tomás y Valiente in Fuenlabrada, the Municipal Museum of Albacete and Centro 14 in Alicante. As for group shows he has exhibited both nationally and internationally. In the collective exhibition Ciclamen for the Léucade Gallery in Murcia, a collaborative project in the space DXIX Projects in Fort Collins, in two editions of GlogauAIR's Open Studios, or BAAM#3 in Monopol Berlin. The traveling exhibition titled Atlas of Spanish Art held at the Exhibition Hall of the Junta Municipal de Usera, the Mauro Muriendas Hall in Torrelavega and the O Vello Cárcere Cultural Center in Lugo. The various exhibitions carried out with the Infinity Art project at fairs such as the Affordable Art Fair in Amsterdam, Art Madrid or Estampa in the Spanish capital. The 2019_n3 collective exhibition at Piramidón Centre D´Art Contemporani in Barcelona, the Art Spring 2019 event held in Berlin, six editions of Marte International Contemporary Art Fair in Castellón, the III Bienal de las Artes Ciutat Vella Oberta in Valencia or the II Convocatoria de La New Fair in Madrid. Moreover, some of his works are present in important private collections such as the Museo Europeo de Arte Moderno and Piramidón Centre D´Art Contemporani in Barcelona, the Museo Arte Contemporanea Sicilia in Catania and public institutions such as the Museu de la Ciutat de Castelló. On a private level, his work is present in collections in Spain, Portugal, Italy, France, Greece, Netherlands, United Kingdom, Sweden, Germany, Belgium, and the United States.

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