Ben Dauchez - An after noon at Majorelle #3

Series "An after noon at Majorelle" -Title At Majorelle 1 -Fine Art Print 80X80 Signed numbered 1/7 in format -Certificate of Authenticity Fusion of two worlds: Multi-exposure allows overlaying these two universes — the formal rigidity of Bauhaus and the sensory and historical richness of Morocco. Perhaps the clean lines of Bauhaus interlace with Moroccan architectural motifs, such as arches, mosaics, and wall textures in earth-toned plaster or stone. This fusion creates a kind of visual dialogue between modernity and tradition. Conceptual approach: The use of multi-exposure can also symbolize the idea of interaction between the past and the present, between modern and traditional architecture. Morocco, rich in cultural symbols, could be seen here as a testing ground to transpose Western Bauhaus concepts into a more Eastern, even Mediterranean, context. Play of light and color: The contrast between the sharp shadows of Bauhaus and the warm, diffused colors typical of Morocco (ochres, reds, blues, and oranges) could be accentuated. This could offer a poetic dimension where each overlaid image evokes a sense of movement, transformation, and immersion in a hybrid space between East and West. The impact of multi-exposure: Temporality and spatiality : By overlaying several moments or spaces, the technique of multi-exposure could also suggest a temporal experience, as if traveling through different eras or different perceptions of Morocco. This play with time and space echoes notions of fluidity and transition in Bauhaus culture, while drawing on the multiple layers of meaning and history that Morocco embodies. Cultural and aesthetic duality: Finally, this work could express reflection on the relations between Western and Eastern cultures, between European functionalism of Bauhaus and the sensuality of Moroccan forms. Multi-exposure can create an atmosphere where the two worlds are not opposed but rather interconnected in a single artistic vision. - Series Bauhaus Bleu Maroc #1 - Fine Art Print 50X50 Signed numbered 3/10 - Certificate of Authenticity Passion for photography from a young age, Ben DAUCHEZ started in the neighborhood studios of La Rochelle. There he acquired the full set of foundations of classic photographic technique, from shooting to retouching through the lab. At 22, freshly graduated, he moved to Paris to complete his training by becoming a plate assistant for the Daguerre studios, Le Petit Oiseau va sortir and Studio Zéro. He had the opportunity to collaborate with and assist some of the most talented photographers: Bettina RHEIMS, Patrick DEMARCHELIER, Terry RICHARDSON, Ellen VON UNWERTH, Marcus MAM... From certain decisive encounters would spring beautiful projects and long collaborations, notably with André RAU, Bettina RHEIMS (the sulfureous INRI exhibition and its eponymous book at Editions Albin Michel) and Peter BEARD (Pirelli calendar 2009 in Botswana). His photos are published, among others, in Condé Nast Editions (French and international), Première, WallPaper, ID, Madame Figaro, Lifestyles, Dandy Magazine... His world also interests brands with very different brand codes for which he has led institutional and/or advertising campaigns such as Dior (beauty), L'Oréal, Peugeot, Philip Morris, or Burger King (advertising awarded at Dubai Lynx). Ben DAUCHEZ has also produced numerous portraits of celebrities (IGGY POP, Woody ALLEN, Grace JONES, Jean DUJARDIN, Gilles LELLOUCHE, Olivier MARCHAL, Carole BOUQUET, Charlotte GAINSBOURG, ...) beauties, worldmen (Olivier DASSAULT, Jacques SEGUELA...) and travelers... This photographic path has since allowed him to freely immortalize human beauty, aesthetics, and the spiritual essence of each personality.

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