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Alejandro Valdes - Geometría Contemporánea XIV - XL - No Reserve

Alejandro Valdes - Geometría Contemporánea XIV - XL - No Reserve

This work of contemporary geometric abstraction transforms architecture into a composition of pure shapes, balance, and color. Two monumental volumes emerge over diagonal planes, creating a sense of depth, silence, and stability that invites slow contemplation. The color palette combines intense reds, deep blues, ivory tones, and a pale blue-gray sky, achieving a sophisticated and timeless contrast. The absence of figurative elements allows each observer to freely interpret the space, evoking both modern urban landscapes and imaginary constructions inspired by the tradition of minimalism and European design. The composition stands out for the precision of its lines, the cleanliness of its surfaces, and the balance between light and volume—qualities highly valued by contemporary art collectors. Its visual language, close to constructivism and geometric abstraction, makes the piece a versatile work that dialogues with modern, Scandinavian, and industrial interiors. Ideal for collectors seeking an original painting with an elegant presence and an international aesthetic, capable of becoming the focal point of residential spaces, offices, galleries, or high-end interior design projects. A work that combines formal rigor, visual strength, and a strong contemporary vocation, conceived to endure beyond trends. Name: Alejandro Valdés Hernández Nationality: Cuban Year of birth: 1974 Place of birth: Havana, Cuba Specialty: Contemporary painting, mixed media, and printmaking Education 1989–1993 — Elementary Level of Plastic Arts, Havana 1993–1997 — National Academy of Fine Arts San Alejandro, Havana Influences: Caribbean expressionism, lyrical abstraction, urban memory Lines of work Alejandro Valdés Hernández’s work centers on urban memory, migration, and the relationship between architecture and emotion. His style combines material layers, gestural drawing, and warm palettes Techniques: Oil and acrylic on canvas Mixed media with sand and natural pigments Experimental printmaking Ephemeral murals Solo exhibitions 2001 — Submerged Cities, Independent Gallery, Havana 2006 — Cartographies of Memory, Alternative Cultural Center, Mexico City 2010 — Inner Tropic, self-managed space, Bogotá 2015 — Architectures of Memory, Contemporary Art Gallery, Miami 2021 — Fragmented Island, private gallery, Madrid Group exhibitions 1998 — Exhibition of Cuban young painters, Havana 2003 — Caribbean Alternative Biennial, Santo Domingo 2008 — Meeting of emerging Latin American art, Buenos Aires 2014 — Art and Territory, Lima 2019 — Contemporary Caribbean Painting, San Juan 2023 — Latin American Artists in Diaspora, Barcelona Works in collections Private collections in Cuba, Mexico, Colombia, and Spain Murals and works in independent cultural spaces in Havana Pieces in Latin American artist residencies Works in private collections in Miami, Panama, and Buenos Aires Artist residencies 2004 — Contemporary Art Residency, Oaxaca 2012 — Experimental Print Workshop, Medellín 2018 — Artistic Exchange Program, Montevideo Publications and mentions Independent exhibition catalogs in Latin America Critical essays in culturally circulated magazines Participation in alternative curatorial projects "I paint cities that do not exist, or that exist only in memory. My work is an emotional cartography of those who leave without ceasing to inhabit it." Acrylic on unframed canvas, packed in bubble wrap and placed inside a rigid cardboard tube, and also secured by the transport company (CORREOS ESPAÑA)

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