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A Carved Wood Frieze Panel, Tamil Nadu, South India, late 19th century
A Carved Wood Frieze Panel, Tamil Nadu, South India, late 19th century Of rectangular form the relief decoration comprising a central figure of Gajalakshmi flanked by the lustrating elephants, chauri bearers, a pair of Vishnu images, seated on the cobra, a hamsa at either end, surrounded by a beaded and feathered borders 20 x 60 x 5.5cm ++One or two small chips and worm damaged areas around sides 25 Blythe Road
FORTY INDIAN PALACE AND STREET PHOTOGRAPHS (19TH CENTURY) studies of p
FORTY INDIAN PALACE AND STREET PHOTOGRAPHS (19TH CENTURY) studies of palaces, citadels, other buildings, and street scenes various sizes, approx. 19 cm by 28 cm; 7 1/2 in by 11 in 25 Blythe Road
ATTRIBUTED TO LEONARD B. EICHHORN (b. 1872) POLISH FESTIVAL IN LVOV
ATTRIBUTED TO LEONARD B. EICHHORN (b. 1872) POLISH FESTIVAL IN LVOV signed l.r.: Eichhorn oil on board 27.5cm by 42cm; 11in by 16 1/2in 25 Blythe Road
A BHUTA HERO RIDING PANJURLI , Karnataka, South-Western India, 19th century
A BHUTA HERO RIDING PANJURLI Karnataka, South-Western India, 19th century bronze, in two sections, the mousatchioed figure holding a sword (now missing), wearing a crown and elaborate flaring cape(?), the boar Panjurli with pointed ears and beaded ridge along his snout and back 15.6cm high (together) (2) The cult of bhuta or spirit worship is centred in Western Karnataka and the boar Panjurli is best known of these sub-deities. Wild boars are notoriously destructive to farmers, and the cult is said to have arisen as local inhabitants tried to pacify the rampaging animals. 25 Blythe Road
JAMES DICKSON INNES (1887-1914)
OPEN LANDSCAPE WITH ROCKS oil on panel 32.5 x 40.5cm Provenance: Euphemia Lamb; thence by descent Innes was only twenty seven years old when he succumbed to tuberculosis in August 1914. In his short life he had nevertheless already gained a reputation as one of the most important and original British landscape painters of the pre-war years, in a style that strongly responded to the work of the Post Impressionists. The best of these works include a series of visionary landscapes of the Arenig valley in North Wales many painted with?Augustus John in 1911 and 1912. The present work has also been identified as a Welsh subject and probably dates from the same period. A recent retrospective of Innes's work was held at the National Museum of Wales in 2014. 25 Blythe Road
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