物品 "Sotheby's"

博客文關於 "Sotheby's"

Milanese Modern: Gabriella Crespi
Gabriella Crespi pioneered modern interiors in the 1960s and 70s with her shiny bronze tables, futuristic sculptural designs and fine Italian craftsmanship.
歐洲TEFAF藝術市場報告:交易商成為藝術市場支配者
馬斯垂克大學的藝術市場部主任Rachel Pownall以新的資料數據分析解讀藝術產業,造成歐洲世界轟動的討論。來自瑞典的古董專家Pontus先生分享對這份產業報告的見解和世界兩大拍賣行的看法。
專訪2016典亞藝博主辦人的藝術洞見:不僅古董文玩和現當代藝術,還有攝影。
2016典亞藝博主辦人黑國強(Andy Hei)先生形容:「香港是亞洲的藝術市場核心地,與紐約和倫敦是世界三大藝術拍賣中心之一」。此次專訪內容中,Andy分享了他在拍賣世界25年的洞見,包括給年輕藏家的建議、藝術市場的變化、電子平台與產業的關係、今年典亞藝博新推出的亮點和他個人最喜愛的三樣藏品。
Shelby Cobra超級跑車首次刷新RM Sotheby’s蘇富比美國紀錄
Shelby Cobra CSX 2000 在前幾個週末的RM Sotheby’s蘇富比拍賣會上首次創下一個新歷史。以一億六百多萬元港幣(一千三百七十五萬美元)售出,創新美國汽車新紀錄。
#TTTOP x Sotheby's 韓流人氣偶像跨界與蘇富比合作
韓流也席捲蘇富比藝術世界。亞洲耀眼的一顆星 – 兼演藝人氣偶像、音樂唱作、戲劇演出和饒舌創作的崔勝鉉(T.O.P)將新增一個身分-蘇富比拍賣策展人。香港蘇富比宣布韓國樂團BIGBANG團員T.O.P為今年香港十月秋拍的策展人。

成交價 "Sotheby's "

Sur une chaise
Before Gauguin decisively distanced himself from the Parisian avant-garde in 1888, his artistic output gradually evolved from conventional Impressionism to a unique Post-Impressionist pictorial style that was greatly influenced by the work of Camille Pissarro and Paul Cézanne. Sur une chaise, painted in 1880, is an example of Gauguins artistic transformation in progress. While the subject of the still life was a time-honored tradition of Old Masters and Impressionists alike, it was also a genre that lent itself to endless possibilities of radical invention by vanguard artists. In this painting, Gauguins artistic innovations are plainly evident in his approach to perspective and the proto-Symbolist cropping of the scene. The mandolin, sharply outlined and without its strings, appears to balance precariously on the upholstered chair, its floral fabric merely suggested with brushstrokes that border on abstraction. Brilliant hues of color are introduced in the composition through the textile that gently drapes over the chairs left arm, its woven texture masterfully rendered via Gauguins application of impasto.\n\nThe mandolin depicted here appears in several other works by Gauguin throughout his career (see fig. 1); however, he did not learn to play the instrument until 1889. When he did, Gauguin displayed a natural gift for music. In letters written to fellow Pont-Avenist Paul Sérusier and his wife Mette during his first stay in Tahiti, Gauguin described the company of his mandolin as an antidote to feelings of loneliness. In 1893, Gauguin found himself in desperate need of money for an urgent trip to Orléans for his uncle Isidores funeral and traded his beloved mandolin for an advance from Paul Sérusiers brother Henri. However, it appears that the mandolin returned to his possession shortly thereafter; it is mentioned with frequency in correspondences during his final trip to the South Seas. After Gauguins death, the mandolin was found in its case, along with a guitar, a harp and a harmonium. It was sold at an auction of Gauguins belongings in Papeete for two francs.\n\nThe year before Gauguin painted this picture, he participated in the 4th Impressionist Exhibition both as an artist and patron, lending two Pissarro paintings from his personal collection. Only after this exhibition in 1879 did Gauguin begin to treat his own pursuits as an artist seriously. Shortly after its completion, Gauguin traded Sur une chaise for Danseuse adjustant son chausson, a pastel work by Edgar Degas, who brought Gauguins canvas to the 6th Impressionist Exhibition in 1881 (see fig. 2). The work remained in Degas collection until his death, when it was sold at the artists extensive estate auction at Galeries Georges Petit. Among other major Gauguin pictures exhibited at the 1881 exhibition were two other still lifes brimming with color and an accomplished interior scene featuring a life-sized female nude. Perhaps due to the absence of Monet, Renoir, Sisley and Caillebotte at the exhibition, Gauguins work received an unprecedented amount of attention from art critic Joris-Karl Huymans, whose review of Gauguins nude firmly established him as an integral member of the Impressionist movement.\nSigned P. Gauguin and dated 1880 (center right) Sotheby's
Manufacture nationale de sèvres a large french porcelain 'vase d'angers
Signed Gébleux with a moulded decorated with stylised gui or mistletoe, held together by a blue ribbon entwining twigs of oak and holly bushes\nL. Gébleux in brown enamel at the foot of the vase, date mark S 1902, decorator's mark 1902 to the inside of the rim\nThis vase is entered together with another similar one in the Magazin de Vente on 22nd October 1902 as a 'deux vases d'Angers, 1ere B., 'Gui', gravure pâtes et insufflation'  the price of manufactory was 1320ff., the cost of sale was 2,000ff.\nLéonard Gébleux (1884-1928) worked as decorater and later as chef des ateliers de décoration at the Sèvres manufactory. Sotheby's
1903 (1 june) 3a. brown-orange ‘brit sh’ for ‘british’, s.g.5a
The left-hand stamp in a horizontal pair, large part original gum. B.P.A. Certificate 1969 [Volume V - Lot 821] Sotheby's
An english ebonized grande sonnerie table clock, andrew dunlop, london
8-inch brass dial, silvered chapter ring, pierced steel hands, matted center with  apertures for calendar and mock pendulum, signed Andr Dunlop London, mask corner spandrels, arch with silvered subsidiary for silent all/hours alone/hours&quarters, three-train fusee movement with eight ring turned knopped pillars, verge escapement, trip repeating quarter chiming on six bells, hour striking on a single bell, finely engraved backplate with flowers and scrolls around the central figure of Apollo, ebonized case with inverted bell top surmounted by a carrying handle, four corner urn finials, further carrying handles to the sides above glazed panels, door with mask corner spandrels, moulded plinth raised on block feet.\nAndrew Dunlop was Free of the Clockmakers' Company from 1701 to 1732. Sotheby's
A pair of five-light wrought iron torcheres and a four-light wrought
One of pair lacking an arm Sotheby's

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Sweden
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Switzerland
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USA
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Canada
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Milan 20129
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Bejing
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No.1 Dongzhimen South Street, Dongcheng District, Beijing 100007
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34-35 New Bond Street
London W1A 2AA
UK
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Sotheby's Paris
Galerie Charpentier
76 rue du Faubourg Saint-Honoré
Paris 75008
France
T: +33 1 53 05 53 05
Doha
Alla Salem
Level 15, Commercial bank Plaza, PO Box 27111
Doha Qatar
Tel: +974 4452 8333
Fax: +974 4452 8334
Sotheby's Hong Kong
5/F, 1 Pacific Place
88 Queensway, Hong Kong
China
T: +852 2524 8121
Sotheby's Zürich
Talstrasse 83
Zürich CH-8021
Switzerland
T: +41 44 226 2200
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