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    Frida Kahlo

    18 銷售中

    1 610 已售出

  • 0—3 410 000 000 HKD
  • 15 5月 1991—24 11月 2018

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Early 20th C. Emmy Lou Packard Photo of Frida Kahlo

Emmy Lou Packard (American, 1914-1988), photograph of Frida Kahlo, ca. 1941 CE. A wonderful black and white photograph of legendary Mexican Surrealist Frida Kahlo in 3/4 pose amidst lush foliage, resting her elbow on the base of a Pre-Columbian statue, by the California artist Emmy Lou Packard, one of the most accomplished American fresco painters and an early 20th century pioneer of printmaking. Packard's early experience as an assistant to Mexican muralist (and husband to Kahlo), Diego Rivera, and student of both Kahlo and Rivera, not only impacted her artistic trajectory but also influenced her political direction as an opponent of human rights violations, World War II, as well as the Cold War and the Vietnam War. Size: image measures 10.5" L x 8.25" W (26.7 cm x 21 cm); 10.5" L x 13.75" W (26.7 cm x 34.9 cm) with border Prior to her formal art education, Packard studied with both Diego Rivera and Frida Kahlo in Mexico from 1927 to 1928. In 1936, Packard received her B.A. from UC Berkeley, and next studied at the California School of Fine Arts. In 1940, around the time this photograph was taken, she assisted Rivera in creating the 1,650 square foot fresco at the Golden Gate Intermational Exposition at Treasure Island in San Francisco. Following that project, Packard returned with Rivera to Mexico City, as Diego and Frida's guest. A few years later, during World War II, Packard worked as a writer and illustrator for a Richmond, California newspaper. As a human rights activist, she fought for the rights of women and children, and supported Cesar Chavez and the United Farmworkers. Continuing to combine her art with social purpose, Packard's studies of the Mendocino Headlands would later inspire her to promote the establishment of the headlands as a National Park. A wonderful photograph in the Archives of American Art, from the Emmy Lou Packard papers, shows Frida and Emmy, with Emmy appearing as the blonde version of Frida donning that same stylish, braided coiffure. Provenance: ex- private Santa Fe, New Mexico, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #124488

  • USA
  • 2017-06-29
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Frida Kahlo "Autorretrato" Mixed Media

Frida Kahlo (Mexico, 1907 - 1954) unframed watercolor, pastel, & charcoal on paper depicting a portrait of Frida Kahlo and titled "Autorretrato", executed in 1941. Measures 18-1/2" in height with width of 12-1/2" & signed to lower left "Frida Kahlo 1941". All measurements are approximate. Complete with certificate of authenticity & letter of provenance, please see photographs. Provenance: comes from the estate of a prominent Texas collector. Magdalena Carmen Frida Calderon (Frida Kahlo) was born on July 6, 1907 in Mexico City, the daughter of a German Jewish father & a Mexican mother. She lived her adult life in the shadow of her husband, famed muralist & Mexican national hero Diego Rivera whom she had known since childhood. They embarked on their violent courtship following his divorce from his second wife. The were both temperamental & noisy Communists, & she proudly proclaimed that she had never been expelled from the communist party, as Diego was. He was obese, unfaithful, & psychologically abusive, yet Frida retaliated with her own bisexual affairs. Kahlo once called Rivera "the other accident" in her life, and she lamented her inability to possess him completely. A grisly accident occurred when she was a teenager: a streetcar hit the bus in which she was riding and drove a handrail into her abdomen and out her vagina. As a result her pregnancies resulted in miscarriages and abortions. Semi-crippled and in constant pain, she required several ghastly operations and enough liquor to make her a probable alcoholic. She was extremely loyal to her country; she altered her birth date to coincide with the start of the 1910 Mexican Revolution, and to her politics; at her cremation a hammer and sickle was draped over the casket. She didn't enjoy a long enough career to make it into the coffee-table books while she she was still alive. In 1939, after Kahlo returned to Mexico & after some success with exhibitions of her work in Paris & New York, she & Rivera divorced. Her health deteriorated, yet she continued to paint. She and Rivera remarried in 1940, but her physical condition worsened. After her death she was transformed from the "wife of Diego Rivera" to the art world's version of Sylvia Plath, in many opinions. The resurrection of Kahlo started in the 1970s, when her work began to generate excitement in the women's liberation movement. But there always has been much controversy about the worth of her work. She was hailed by the Surrealists and unabashedly admired by Picasso; yet in Mexico itself there are many who feel she is over-rated. She is the subject of numerous biographies, exhibitions and documentary films, not to mention souvenir T-shirts, calendars and posters. For women and feminists, especially, she is a heroine who overcame great odds to create an identity for herself in art. She died in 1954.

  • USA
  • 2016-11-19
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Early 20th C. Emmy Lou Packard Photo of Frida Kahlo

Emmy Lou Packard (American, 1914-1988), photograph of Frida Kahlo, ca. 1941 CE. A wonderful black and white photograph of legendary Mexican Surrealist Frida Kahlo in 3/4 pose amidst lush foliage, resting her elbow on the base of a Pre-Columbian statue, by the California artist Emmy Lou Packard, one of the most accomplished American fresco painters and an early 20th century pioneer of printmaking. Packard's early experience as an assistant to Mexican muralist (and husband to Kahlo), Diego Rivera, and student of both Kahlo and Rivera, not only impacted her artistic trajectory but also influenced her political direction as an opponent of human rights violations, World War II, as well as the Cold War and the Vietnam War. Size: image measures 10.5" L x 8.25" W (26.7 cm x 21 cm); 10.5" L x 13.75" W (26.7 cm x 34.9 cm) with border Prior to her formal art education, Packard studied with both Diego Rivera and Frida Kahlo in Mexico from 1927 to 1928. In 1936, Packard received her B.A. from UC Berkeley, and next studied at the California School of Fine Arts. In 1940, around the time this photograph was taken, she assisted Rivera in creating the 1,650 square foot fresco at the Golden Gate Intermational Exposition at Treasure Island in San Francisco. Following that project, Packard returned with Rivera to Mexico City, as Diego and Frida's guest. A few years later, during World War II, Packard worked as a writer and illustrator for a Richmond, California newspaper. As a human rights activist, she fought for the rights of women and children, and supported Cesar Chavez and the United Farmworkers. Continuing to combine her art with social purpose, Packard's studies of the Mendocino Headlands would later inspire her to promote the establishment of the headlands as a National Park. A wonderful photograph in the Archives of American Art, from the Emmy Lou Packard papers, shows Frida and Emmy, with Emmy appearing as the blonde version of Frida donning that same stylish, braided coiffure. Provenance: ex- private Santa Fe, New Mexico, USA collection All items legal to buy/sell under U.S. Statute covering cultural patrimony Code 2600, CHAPTER 14, and are guaranteed to be as described or your money back. A Certificate of Authenticity will accompany all winning bids. We ship worldwide and handle all shipping in-house for your convenience. #124488

  • USA
  • 2017-06-29

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DIEGO RIVERA - Desnudo Sentado con Brazos Levantados [Frida Kahlo]

Diego Rivera (Mexican, 1886 - 1957). "Desnudo Sentado con Brazos Levantados [Frida Kahlo] [drawing]". Original pencil drawing on paper. 1930. Signed and dated in pencil, lower right. Paper: double sheet, deckle edged four sides, cream laid paper, watermarked "MBM (France) [middle of sheet] Ingres D'Arches [right hand of sheet].". Condition: overall good condition; a few scattered fox marks; slight paper atenuation of the recto finished image (left facing), tending from cream to white (the right facing sketch folded back for framing); handling marks throughout; minor tape remains from previous mounting; pencil annotation upper left corner, recto; no holes, tears, creases, nor staining. Provenance: Estate of an important private collector, Puebla, Mexico. The finished drawing for the highly sought after lithograph of Frida Kahlo, which Rivera created in 1930. Rivera and Kahlo married on August 21, 1929, in Coyoacan, Mexico City. The full "double sheet" has been folded in half, with the finished drawing on the left, the preliminary sketch on the right, recto. The sheet has not been joined together - it is one continuous sheet. There is a ghost/offset image on the verso of the preliminary sketch which matches that of Rivera's lithograph 'Desnudo de Dolores Olmedo', also created in 1930 by Rivera. Apparently the verso of the Dolores Olmedo lithograph was laid on top of the verso of the finished drawing; then the drawing was folded, leaving the impression of the Olmedo lithograph on the verso of the preliminary sketch. The paper used by Rivera to compose the drawing is a laid texture paper, is pre-1920, and has a rattle-like linen content. It has four distinct deckle edges, indicating a hand made paper. Recent versions of this paper are made on a cylinder mould that have two deckle edges and two torn edges, as the sheet is torn from a long length of paper. Dimensions - Full sheet 24 7/8 x 19 in (63.2 x 48.3 cm); Finished drawing 16 5/8 x 11 1/8 in (42.2 x 28.3cm); Sketch drawing 14 1/2 x 9 5/8in (36.8 x 24.5cm). Image copyright © Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. / Artists Rights Society (ARS), New York. [28464] |30000| {R100} (TL4) szzzz~ozzzz

  • USA
  • 2017-01-27

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